As I've mentioned in the past, I'm not a huge fan of jamming the camera so that the horizon line is super tilted. And also try to be gentle with the saturation so that we don't push it to unreal extremes. My favorite one is the fourth one down with the snow and close-up pattern with the sand and snow. The one below it with the one shadow cutting across the snow is fairly sophisticated too. The last one could've been better had we focused on the icicle itself… I realize that sometimes tricky with a phone. Your intention was right though.
The top one of the series where there is no sky and the problem of the tilting horizon is clean and nice. The strong diagonal is effective.
As I've mentioned in the past, I'm not a huge fan of jamming the camera so that the horizon line is super tilted. And also try to be gentle with the saturation so that we don't push it to unreal extremes. My favorite one is the fourth one down with the snow and close-up pattern with the sand and snow. The one below it with the one shadow cutting across the snow is fairly sophisticated too. The last one could've been better had we focused on the icicle itself… I realize that sometimes tricky with a phone. Your intention was right though.
ReplyDeleteThe top one of the series where there is no sky and the problem of the tilting horizon is clean and nice. The strong diagonal is effective.