For me the strongest one is the fifth one down of the simple ball looking straight down on it and the lines of the tile. The strong vector geometry of the lines as well as the geometry of the simple sphere and the shadow it's casting along with the black-and-white effect takes the shot to a whole different level than the other ones.
It's kind of important to not overwork a particular setting and to keep looking for other possible places to shoot. The other element is to work with actual sunlight rather than try to use artificial light at night. It takes some planning to decide to go shooting when the conditions are good.
For me the strongest one is the fifth one down of the simple ball looking straight down on it and the lines of the tile. The strong vector geometry of the lines as well as the geometry of the simple sphere and the shadow it's casting along with the black-and-white effect takes the shot to a whole different level than the other ones.
ReplyDeleteIt's kind of important to not overwork a particular setting and to keep looking for other possible places to shoot. The other element is to work with actual sunlight rather than try to use artificial light at night. It takes some planning to decide to go shooting when the conditions are good.